1889
Arango opens the door to the baby’s room. A thin layer of sand covers the floor. It covers the crib. A mural grows from the nearest wall like a vine, stretching into the dark room.
“Your mother,” Arango whispers. “Before you were born.”
Sunday’s candle follows the narrative — a woman in the window of a log cabin — a handsome man in a silver saddle — a dark shadow with a black hat and scarf — lovers entwined — the shadow shrinking before a glowing sunburst — a map of the trail south — the smiling man and woman holding hands, the glow now coming from the woman’s belly…
The chalk paintings abruptly halt. Sunday knows why. She imagines the pictures. The woman dead — the crib empty — the shadow escaping with the baby into the desert.
Arango quietly weeps. Sunday takes his hand. She gives him some chalk.